The story, from capturing industrial landscapes to a botanical catalog, is complicated by the way I frame forms. Presenting myself in different territories is expressing a range of action that would allow me to share ideas and work, although personally I prefer exploring different spatial contexts and always reconfiguring my observation and ideas because nothing is static. Photography, physically speaking, freezes time, but the idea and the observer are changing atomically. Physically, being static is impossible in nature; this is where time comes in as the main foundation of photography.